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Freakonomics Radio

Freakonomics Radio

Discover the hidden side of everything with Stephen J. Dubner, co-author of the Freakonomics books. Each week, Freakonomics Radio tells you things you always thought you knew (but didn’t) and things you never thought you wanted to know (but do) — from the economics of sleep to how to become great at just about anything. Dubner speaks with Nobel laureates and provocateurs, intellectuals and entrepreneurs, and various other underachievers.

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48 min
19 Dec 25

657. Whose “Messiah” Is It Anyway?

All sorts of people have put their mark on Messiah, and it has been a hit for nearly 300 years. How can a single piece of music thrive in so many settings? You could say it’s because Handel really knew how to write a banger. (Part three of “Making Messiah.”) SOURCES:Charles King, political scientist at Georgetown University.Jane Glover, classical music scholar, conductor.Katharine Hogg, musicologist, head librarian at the Foundling Museum.Susannah Heschel, religion professor, chair of Jewish Studies at Dartmouth College.Mark Risinger, teacher at St. Bernard’s School.Michael Marissen, professor emeritus of music at Swarthmore College, author of Tainted Glory in Handel’s Messiah: The Unsettling History of the World’s Most Beloved Choral Work. RESOURCES:Every Valley: The Desperate Lives and Troubled Times That Made Handel’s Messiah, by Charles King (2024)."Why These Christmas Songs Could Only Be Written in America," by Eli Lake (The Free Press, 2024)."Reflections on Bernstein’s 1956 “Messiah,”" by Mark Risinger (Leonard Bernstein Office, 2022).Handel in London: The Making of a Genius, by Jane Glover (2018).Tainted Glory in Handel's Messiah: The Unsettling History of the World's Most Beloved Choral Work, by Michael Marissen (2014).“Handel’s Messiah,” performed by The London Symphony Orchestra (2007). EXTRAS:"Making Messiah," series by Freakonomics Radio (2025). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

657. Whose “Messiah” Is It Anyway?
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57 min
12 Dec 25
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56 min
5 Dec 25

655. “The Greatest Piece of Participatory Art Ever Created”

Why does an 18th-century Christian oratorio lend such comfort to our own turbulent times? Stephen Dubner sets out for Dublin to tell the story of George Frideric Handel’s Messiah. (Part one of “Making Messiah.”) SOURCES:Charles King, political scientist at Georgetown University.Katrine Nyland Sørensen, Danish broadcaster, host of Handel's Messiah - The Advent Calendar.Mark Risinger, teacher at St. Bernard's School.Michael and Aileen Casey, Dublin conservationists.Proinnsías Ó Duinn, conductor and music director of Our Lady's Choral Society.Stuart Kinsella, tenor soloist and consort singer. RESOURCES:Every Valley: The Desperate Lives and Troubled Times That Made Handel's Messiah, by Charles King (2024)."Two Men Wrote ‘Messiah.’ You Know One of Them." by Charles King (New York Times, 2024)."On Fishamble Street, family lives among four centuries of relatives’ keepsakes," by Zuzia Whelan (Dublin Inquirer, 2018).Hallelujah: The Story of a Musical Genius & the City That Brought His Masterpiece, by Jonathan Bardon (2016).George Frideric Handel: A Life with Friends, by Ellen Harris (2014).Handel: The Man & His Music, by Jonathan Keates (2010)."Handel's Messiah," performed by The London Symphony Orchestra (2007).Handel's Messiah The Advent Calendar, podcast series. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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